As I approach my sixty-second year on earth, having almost expired in March, I’ve been a bit more reflective and introspective. One is categorical. I’ve been told over the years that I am ‘good’ or ‘excel’ at such and such, but I always know someone better—even on a personal level, not just someone out in the world. We can all assume not to be the next Einstein or Picasso, but I am talking closer than that.
During my music career, I was constantly inundated with people better than me. I spent most of my time on the other side of a mixing console, where I excelled. Even still, I knew people who were better for this or another reason. In this realm, I think of two stories. First, I had the pleasure and good fortune to work on a record with Mick Mars and Motley Crue in the mid-’80s. We had a chat about Ratt’s Warren DiMartini, and Mick told me that he knew that Warren and a spate of seventeen-year-olds could play circle around him, but success in the music business is not exclusively based on talent. He appreciated his position.
In this vein, I remember an interview with Tom Morello of Rage Against the Machine. As he was building his chops he came to realise that he was not going to be the next Shredder or Eddie Van Halen, so he focused on creating his own voice, the one he’s famous for. I know plenty of barely competent musicians who make it, and I know some virtual virtuosos who don’t. But it involves aesthetics and a fickle public, so all bets are off anyway.
As I reflect on myself, I consider art and photography. Always someone better. When I consider maths or science, there’s always someone better. Guitar, piano? Same story.
Even as something as vague and multidimensional as business, I can always name someone better. I will grant that in some instances, there literally is no better at some level—just different—, so I sought refuge and solace in these positions. Most of these involved herding cats, but I took what I could.
Looking back, I might have been better off ignoring that someone was better. There’s a spot for more than the best guitarist or singer or artist or policeman for that matter. As a musician, I never thrived financially—that’s why I was an engineer—, but I could have enjoyed more moments and taken more opportunities.
When I was 18, I was asked to join a country music band. I was a guitarist and they needed a bass player. I didn’t like country music, so I declined—part ego, part taste. Like I said, aesthetics.
As I got older and started playing gigs, I came to realise that just playing was its own reward. I even played cover bands, playing songs that were either so bad or so easy. But they were still fun. I’m not sure how that would have translated as playing exclusively country music day after day, but I still think I might have enjoyed myself—at least until I didn’t. And the experience would still have been there.
I was a software developer from the nineties to the early aughts. I was competent, but not particularly great. As it turns out, I wasn’t even very interested in programming on someone else’s projects. It’s like being a commercial artist. No, thank you. It might pay the bills, but at what emotional cost?
I was a development manager for a while, and that was even worse, so I switched focus to business analysis and programme management, eventually transitioning to business strategy and management consulting. I enjoyed these more, but I still always knew someone better.
On one hand, whilst I notice the differences, it’s lucky that I don’t care very much. Not everyone can be a LeBron James or a Ronaldo, but even the leagues are not filled with this talent. I’m not suggesting that a ten-year-old compete at this level, but I am saying if you like it, do it. But temper this with the advice at the Oracle of Delphi: Know thyself. But also remember that you might never be the best judge of yourself, so take this with a grain of salt. Sometimes, ‘good enough’ is good enough.
Philosophics 