Joe Talbert, singer and songwriter for IDLES, shares some of his perspective with us. Cued is a bit on masculinity, particularly the toxic variety.
For me, it’s a breath of fresh air. Maybe it’s just nostalgia, but the IDLES bring some of the lost energy back into music. I’m old enough to remember the first Punk wave of the 1970s and the next waves as well as the ripples.
I’ve always been out of step with my music interests, ability, and availability. In the ’70s, I was raised on the Classic Rock of the day, from the Beatles and Stones in the ’60s, to Zeppelin and Sabbath in the ’70s before focusing more on the likes of Jeff Beck, John McLaughlin, and then Allan Holdsworth. In the mid-’70s, came vapid and syrupy, saccharine pop and the nonsense that was Disco. Thankfully, this was disturbed by Punk on one hand and Eddie Van Halen on the other. Then there was New Wave and the Hair Bands.
When I wanted to play Rock in Japan, I had offers for Country. My mates in Los Angles were into retro when I was into Progressive and Jazz Fusion. I did get on a Blues kick for a while, but I didn’t really feel like I could pull it off—some affluent white kid and all. Besides Hair Bands in the ’80s, there was a Euro-synth wave, but I wanted something more complex and experimental. By the ’90s, I finished grad school and was career-oriented. I fell in love with Grunge and post-Grunge, but that was a personal endeavour. I did finally play that in the 2000s as covers sprinkled with originals, but it was a side-gig not designed as a career. That train had sailed. Nowadays, I still dabble, but I’m not all that motivated to compose much.
Anyway, IDLES is refreshing. I don’t critique it as music. It’s not particularly melodic or harmonic. It’s about the message and the energy. There’s a beat that drives, and there is instrumentation and vocals. It’s an experience.
But this isn’t about the music. It’s about the notion of normalcy. In this clip, Joe talks about his longing for normalcy. Maybe that’s just normal, but I’ve never subscribed to the notion of normalcy, so I’ve never longed for it. Truth be told, my preference is for people to realise that it’s all a control mechanism.
Joe was influenced by therapy and The Descent of Man by the artist Grayson Perry. In this book, Perry, clearly giving a nod to Darwin’s earlier work, takes on toxic masculinity and attempts to reframe the very notion of masculinity. Like normalcy, I am not interested in gender roles either.
I worked as a statistician for a couple of years way back when, so it turns out that I have a perspective on normal. The problem with the notion of normal is that deviation for normal is seen as broken. Social sciences and pop-psychology have done this. Foucault wrote a lot on this phenomenon. I won’t address his work here.
Joe viewed himself as broken because he bought into the narrative. He feels better now. He feels he’s in a better place. Perhaps this was necessary for him. I can’t speak to that. It’s not a goal I aspire to. Perhaps I’m privileged. I can’t say. For now, I get to enjoy the respite Joe & Co afford us.