Under the Influence

Galen Strawson is my latest male crush. With almost everything I read or hear from him, I say, ‘that’s what I think’, over and over and over again. So I thought I’d share some of my journey to now. I made a post about female influences not too long ago. This is a bit different.

My first obsession, let’s say was the Beatles. I can’t pinpoint precisely when, but when I was a child, it’s been said that I would sing ‘she’s got a chicken to ride’ when it came on to AM radio. I asked for or bought all of their albums, and read everything about them that a kid could get his hands on back in the day. This obsession lasted for years and overlaps some of my next interests. My interests were in John Lennon’s political interests and George Harrison’s spiritual interests. I didn’t really find Paul McCartney or Ringo Starr very interesting beyond their musical abilities. And to be honest, I also got all of the Stones, Led Zeppelin, Pink Floyd, and so on. At my peak, I had over a thousand vinyl records—all lost in a house fire because vinyl and heat are generally incompatible. Paper didn’t fare much better, as I lost hundreds of books, too. A lesson in impermanence.

I am a bit of a nonconformist, a contrarian, and a polemicist

In grades 5 to 8, National Socialism and World War II were fascinating to me. Not Hitler, per se, though I do recall reading Mein Kampf at the time. There was just something about the sense of unity. Upon reflection, I realised that this meant me conforming to some other trend, and that was no longer interesting, as I am a bit of a nonconformist, a contrarian, and a polemicist, so there was that.

At some point, I came across Voltaire’s Candide and it just struck me. This may have commenced me on my path to becoming somewhat of a francophile. I extended my interest into the language and culture. My WWII phase has already primed that pump. I remember reading Dumas, Hugo, and some Descartes.

After I graduated, I was a recording engineer and musician. I remember reading Schoenberg’s Structural Function of Harmony and being enamoured with Dvořák and Stravinsky. I was influenced by many musicians, engineers, and producers, but there was just something about Schoenberg.

I went through a Kafka phase—that eventually included Donald Barthelme. His Absurdism was a nice foundation for my subsequent interest in Camus. It was something that just resonated with me. After Kafka, I discovered Dostoyevsky and consumed everything of his I could get my hands on.

I took from Jung and Campbell the importance of metaphor

In the 1990s, I discovered Carl Jung and eventually Joseph Campbell and a few years I spent reading Jung’s Complete Works and peripheral material related to Archetypal and Depth Psychology. I absorbed the material. I took from Jung and Campbell the importance of metaphor, but it never really resonnated beyond this.

Somehow, this experience led me to the Existentialism of Sartre (and Camus and Beauvoir). At the same time something clicked with me, I was always put off by the teleological imperative these guys seemed to insist upon—Sartre’s political involvement and Camus’ insistence on Art. These were their paths—and I certainly had an interest in Art and Politics—, but I felt this was too prescriptive.

For a brief time, I really liked Hume (and Spinoza), but then I discovered Nietzche and felt compelled to read his major works. It all made sense to me. It still does. Nietsche set me up for Foucault with his power relationships and the sense that morality, good, and evil are all socially constructed and contextual.

And Nietzsche brought me to Foucault and his lens of Power. These two still resonate with me. I investigated a lot of postmodern thinkers after this.

Nietzsche brought me to Foucault and his lens of Power

Daniel Dennett came next. He seems brilliant, and I tend to agree with most of what he says. I was still absorbing. Where biologist Robert Sapolsky gets philosophical, it’s about the same.

But Galen Strawson is different. And I have a lot of catching up to do in my reading of his direct work. The difference is that with these prior influences, I was absorbing and synthesising—creating my own perspectives and worldview. By the time I am finding Strawson, with every encounter, I am ticking off boxes.

  • That’s what I think
  • That’s what I think
  • That’s what I think
  • That’s what I think

Only, he started publishing in the 1960s. I could have been reading his work all along. Since I agree with 99.999 per cent of what I get from him and he is such a deep thinker, I am looking for two things:

  1. Something that expands rather than confirms
  2. Some spaces to operate that he has missed or ignored

As I continue on my Anti-Agency project and gather more inputs and perspectives, I’ll be considering a lot of Strawson. Here’s a clip I really enjoyed. I am thinking of doing a sort of reaction piece, but whether or not that happens, here’s the source.

[Video] Galen Strawson — Is Free Will a Necessary Illusion?

Spoiler Alert: I believe that free will is a cognitive bias related to apophenia. It’s a Gestalt heuristic.

Thinking Truth

Neil Gaiman, an articulate, imaginatory writer. He makes a claim:

Fairy tales are more than true — not because they tell us dragons exist, but because they tell us that dragons can be beaten.

Neil Gaiman

To me, this is a problem with correlating imagination with truth. Moreover, many a war was lost on the story that it could be won.

Of course, we can still play the metaphor game. I’ve been a fan of metaphor since Joseph Campbell. Metaphor is strength. There was a time when I read Jung and had a stronger interest in Depth and Archetypal Psychology. And fairy tales per Marie-Louise von Franz or her more contemporary cantadora, Clarissa Pinkola Estes. Archetypes are metaphor, but this doesn’t render them real. Still, we can operate as if they are. The trick is to remember that they are not.