Disintegration Street

Riffing on my recent post, I wanted to provide a tab more perspective on my claim that postmodernism serves a purely disintegrative function. Anyone can disintegrate a narrative into constituent parts, but postmodernism provides no grounds for privileged reintegration, as this too can be disintegrated. So, whilst one is free to disintegrate and even to reassemble the parts, one is never in a position to claim that this is how it should be put together because this privileges the subject and another subject can always come along and privilege another perspective. Also, there is no PoMo toolkit available to reassemble the parts that I am aware of.

When I was a child, a neighbour owned and operating a demolition company. He disintegrated buildings. He kept some of the materials and sold some other for scrap. Whilst these materials could be repurposed and used in the construction of another building—or a picnic table—, this was not the function of the demolition company. It’s safe to say that no one was ringing him up under the premise that he had tools, so why won’t he build them a house. He knows houses, right?

This is the same problem we face when deconstructing a narrative with postmodern tools. If we want to construct something, we can, but we should expect that no matter what we do, the next wave can readily knock it down. And though we can rebuild more castles made of sand, they are all subject to the same forces.



* I admit that this title was lent from The Cure’s Fascination Street, which does happen to be on their album Disintegration.

The Cure – Fascination Street video